MAC THEATRE’S FALL MUSICAL

Audition Information

(New Audition Information: Updated 4/24/24)

VOCAL & ACTING AUDITIONS

  • WHERE: The Fine Arts Building Theatre Stage

  • WHEN: May 16, 2024 from 5pm - 8pm*

  • When you arrive, please sign in with the audition monitor in the Fine Arts Building Theatre main hallway.

  • All auditionees are required to attend the vocal & acting call to be considered for a role in the show.

*(Please note that we will make every effort to be done by 8pm. However, if we have a large turnout, then we may need to go a little longer).



DANCE AUDITIONS

  • WHERE: Dance Arts Building- Studio 1

  • WHEN: May 17, 2024 from 5pm - 6:30pm

  • All auditionees must attend the dance call to be considered for a role in the show. Female presenting actors should wear character shoes, if possible. Male presenting actors should wear jazz shoes, if possible. Jazz shoes, ballet shoes, or socks are also acceptable. The dance combination will be traditional theatre jazz. There may also be a tap call, if time permits. Please bring tap shoes if you own them.



CALLBACKS (by invite only)

  • WHERE: Dance Arts Building- Studio 1

  • WHEN: May 17, 2024 from 6:30pm - 8pm immediately following the dance call. 

  • Callbacks will be announced as soon as humanly possible after the vocal & acting auditions.

  • Actors not invited for callbacks will be released after the dance call. Note that not receiving a callback does not mean you won’t be cast in the production!


AUDITION REQUIREMENTS

  • Please prepare 32-bars(or one minute) of a contemporary musical theatre song in the style of the show. You may use a backing track for your singing audition. No a cappella singing. Please have your track pre-cued and ready to go when it’s your time to perform. A Bluetooth speaker will be provided(along with various audio cables for a direct connection). Be sure to read the character descriptions below when choosing audition materials.

  • Please prepare a contemporary monologue (no Shakespeare please!) that is a minute or less in length. Please avoid presenting monologues that have excessive screaming or yelling in them. This show requires excellent actors that can play characters that are both serious and comedic.

  • Resume and headshots are not required, but they are welcome :)

  • All actors must attend the vocal/acting auditions, dance call, and callback auditions(if invited) to be considered for a role in the show. If you are unable to attend one or more of the audition segments, then you must contact Mr. Carrasco (robert.carrasco@austinisd.org) prior to the start of auditions so that we can send you the materials (i.e. dance video) you need to submit a video audition- SEE ALTERNATE AUDITION INSTRUCTIONS BEOW. It is highly encouraged that you make every effort to attend the live auditions if at all possible.

CAN’T ATTEND THE LIVE AUDITIONS? ALTERNATE AUDITION INSTRUCTIONS

If you are unable to attend the live vocal auditions, you may submit a video audition with the following additional requirements and deadline:

  • Vocal & Monologue Video Submission Deadline: Received no later than 12pm(noon) on Thursday May 16, 2024.

  • Include your slate, song & monologue in one continuous UNEDITED video. We want to see you perform simulating a live audition- mistakes and all!

  • If you have notified us that you are unable to attend the live dance call, you will be sent a video of the dance combination you’ll need to learn on May 16th. Your dance audition video will be due by 12pm(noon) on Friday, May 17. Your dance video may be submitted together with your vocal audition submission(if applicable) or separately.

  • Send all audition video submission requests & links to: robert.carrasco@austinisd.org

  • Callbacks will be announced as soon as possible immediately following the live auditions, so it’s imperative we receive your video submission with enough time for us to review it before the live auditions and callback announcement. Late submissions may not be considered for a role in the show.

  • If you are called back for a role, you will be notified with what to do.

AUDITION RESOURCES


THE STORY

What would you do if you had all eternity?

Eleven-year-old Winnie Foster yearns for a life of adventure beyond her white picket fence, but not until she becomes unexpectedly entwined with the Tuck Family does she get more than she could have imagined. When Winnie learns of the magic behind the Tuck’s unending youth, she must fight to protect their secret from those who would do anything for a chance at eternal life. As her adventure unfolds, Winnie faces an extraordinary choice: return to her life, or continue with the Tucks on their infinite journey.

Based on the best-selling children’s classic by Natalie Babbitt and adapted for the stage by Claudia Shear and Tim Federle, Tuck Everlasting features a soaring score from Chris Miller and Nathan Tysen.

SETTING

In and around the village of Treegap, New Hampshire. 1893.

ROLES**

All roles require strong movement/dance abilities.

WINNIE FOSTER

11 years old. Female. Soprano. Requires an exceptionally strong singer/actor and a very strong, consistent belt. Star Vehicle Leading Role.

BETSY FOSTER 

Winnie's mother. Female. Mezzo-Soprano. Requires a strong actor that can handle adult themes and characterization. Supporting Lead.

NANA

Winnie's grandmother. Female. Alto. Requires exceptional comedic timing. Supporting Lead.

JESSE TUCK

The youngest of the Tuck family (17 going on 104). Male. Baritenor/Tenor. Requires a strong singer/actor with an intensive youthful energy. Lead Role.

MILES TUCK

Jesse's older brother. Male. Baritenor. Requires a very strong singer/actor with solid comedic timing that can cross the line between youthful and old. Lead Role.

MAE TUCK

Jesse's mother. Female. Mezzo-Soprano. Requires a strong singer/actor with good comedic timing that can play as an adult and handle adult themes. Lead Role.

ANGUS TUCK

Jesse's father. Male. Baritenor. Requires a strong singer/actor with good comedic timing that can play as an adult and handle adult themes. Lead Role.

MAN IN THE YELLOW SUIT

A nefarious leader of a traveling carnival, in search of the fountain of youth. Antagonist. Male. Tenor/Alto. Requires an exceptional singer and character actor that can command the stage. Lead Role. Note: This role was originally written for a senior adult male.

CONSTABLE JOE

Head of the police force in Treegap and parent of Hugo. Male/Female. Tenor/Alto. Requires a strong character actor with exceptional comedic timing! Supporting Lead. Note: This role was originally written for a senior adult male.

HUGO

Constable Joe's sidekick and son. Male. Baritenor. Requires a strong singer and character actor with excellent comedic timing. Supporting Lead.

ENSEMBLE

Various memories, spirits, travelers, townsfolk, carnival workers, and patrons. In addition, selected ensemble members will act as grown up versions of Winnie & Hugo. 

All ensemble members will need to be solid actors/singers and strong movers/dancers. All will also be involved with scenic changes throughout the show as part of their track.


**Female presenting actors will be considered for male roles(and vice versa) IF they can sing the required notes as key transpositions will not likely be available. Also note that to maintain integrity of the story, the author's intentions and licensing agreements, all characters will need to play as the gender prescribed in the script. 


AUDITION PROCESS

  1. Complete Audition Interest Form – carefully listing all conflicts.

  2. Sign up for an audition time.

  3. Familiarize yourself with the story, characters, and music

  4. Come to your audition prepared to sing, dance, and act.

  5. Wear clothing you are comfortable moving in.

  6. Have fun!


How Do Our Auditions Work?

It is perfectly normal to have lots of questions before an audition. Whether you are a seasoned performer or it is your first time auditioning for a show, you might feel nervous and that's A-Okay! We have compiled some resources to help answer your questions about auditioning so you feel ready to go when you walk in the door.