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jekyll & hyde

DANCE CALL Mon. MAY 20

5-8pm IN THE FINE ARTS BUILDING THEATRE

  • All audition must attend the dance call to be considered for casting.

  • Please come warmed up and ready to dance.

  • The choreography for Jekyll & Hyde ranges from post-modern to British music hall and vaudeville.

VOCAL AUDITION TUE. MAY 21

2-5pm IN THE FINE ARTS BUILDING THEATRE

  • Please prepare a 32-bar "adult contemporary" style audition cut similar to that of Les Miserables or prepare a 32-bar "contemporary pop & lite rock (1990s-present)" style audition cut. You may also sing a 32-bar cut from the show. The show is mostly sung-through and there is relatively little dialogue - very strong singers with a classical, rock, or r&b sound are required.

  • Audition order will be determined by order in which this form is received.

  • All auditioning must have this form completed to be seen

Callbacks Wed. May 22

2-5PM IN THE FINE ARTS BUILDING THEATRE

  • Callbacks are by invitation only.

  • Please be prepared to do readings from the script.

  • Callback sides will be handed out after the vocal audition.

SEEKING

Jekyll and Hyde (Jekyll/Hyde to be played by the same actor) Baritone/Tenor / Bb2-A4

Henry Jekyll: Henry is a driven, focused individual. Though charming and pleasant, his focus on his scientific pursuits verge on obsession and often get in the way of what others expect of him. Many of his peers find him difficult to stomach, due to his determined nature and his lack of concern with societal expectations. He can be frantic and single-minded, though we do see a soft side to him in his interactions with his fiancé, Emma. The pair are playful with each other, and we are left with the impression that they have overcome significant hurdles to be with each other. As the play develops - and Jekyll becomes more involved with his experiments - he grows more insular, sharper, and almost scary in his frenzy.

Edward Hyde: The counterpart to Henry, Edward is a brutish, stereotypical alpha male. Intimidating in his sexuality, his presence alone suggests the danger he presents. Despite his threatening appearance, something about him should suggest to the audience a sense of allure; an instinctual attraction to his strength. Charming, frightening, and suave, Hyde is unpredictable yet always in clear control of any space he occupies. Actor must be comfortable kissing on stage. Actor may be asked to show his body onstage. There will be a significant amount of work on physicality, so consider how you may want to exhibit this at audition stages.

Emma Carew Soprano / A3-C6

Jekyll’s fiancée, Emma, is a darling of society – at least that’s what everybody expects. She is headstrong and fierce, and couldn’t care less about peoples’ expectations of her. A match for Henry’s intellect, she is sharp and quick witted. She knows what she wants and won’t let anyone tell her she can’t have it. She is very close with her father, Sir Danvers Carew. The two have relied on each other since Emma’s mother passed away, and her sweeter side is brought out in her interactions with him. With Henry she is playful and supportive; his anchor to keep him straying completely into isolation. Actor must be comfortable kissing on stage.

Lucy Harris Mezzo-Soprano / G#3-F#5

Lucy is a performer and prostitute at ‘The Red Rat’ club. Naturally charming, with a good sense of humor, she has an optimistic nature and thick skin. Though it is evident that she has not had an easy life, she still seems like a warm character and puts on a good front for the customers. However, in private her naivety shines through as we see her hope for a better life that is always out of reach. Lucy is written as having a cockney accent. Actor must be comfortable kissing on stage. Actor must be comfortable with showing her body onstage.

John Utterson Baritone / B2-F#4

Utterson is Jekyll’s lawyer, and his best friend. He serves as a narrator at times, though he is also a present character throughout the show. A respected gentleman, he has an easy nature and does his best to act as Jekyll’s voice of reason. He stumbles, however, in being too soft – likely due to his amiableness - and ultimately fails to keep Jekyll out of trouble.

Simon Stride Baritone / A2-G4

Simon works as secretary for the Board of Governors. He believes Jekyll to be unworthy of Miss Emma Carew, wishing she would turn her attentions towards himself - it is clear that most other members of their social circle feel the same way. Henry’s adversary in every way. A firm, steely man, quick to snap. His behaviour towards Emma is smarmy, verging on slimy.

Sir Danvers Carew Baritone / C3-F#4

Emma’s father, Sir Danvers, acts as Chairman on the Board of Governors. He is kind and protective and tries to protect Emma in the world. He does his best also to support Henry, quietly fighting his corner when he can. An older gentleman, he is well respected and more in keeping with the traditional idea of what a gentleman should be.

Nellie

Nellie works alongside Lucy at ‘The Red Rat’ club, as a prostitute and as club host. She has a sense of humor, and is written to have a cockney accent. Actor must be comfortable showing her body onstage.

Spider

Proprietor of ‘The Red Rat’ and Lucy’s pimp. Sleazy, urchin like character. As his name suggest, he slips well into dark corners and crawls over the girls at the club.

The Board of Governors

Shining examples of everything Henry believes to be off-putting about the upper classes, The Board of Governors is made up of unlikable characters who are each more pompous than the last:

Lady Beaconsfield Soprano – F#4-G5 An unpleasant, older woman. She is a natural gossip monger, and a friend to none.

Bishop of Basingstoke Baritone / Tenor – C#3-G4 A hypocritical man of the cloth, the Bishop is known to spend his evenings with prostitutes and look down his nose at almost everyone.

Lord Savage Baritone – F#3-G4

Sir Archibald Proops Baritone – F#3-G4

General Lord Glossop Baritone / Bass – F#3-G4

CHORUS

The Chorus will consist of around 25-30 people including secondary characters. The chorus will play a variety of roles, including people of London, prostitutes at the Red Rat club, party guests and dancers. There are a range of solo lines available to chorus members.

Female Callback Songs

Male Callback Songs

ACTOR INFORMATION


Name *
Name
Phone *
Phone
Do you know how to access the Theatre department calendar for call times? Go to: https://mactheatre.com/read-me and scroll down to calendar. *
I agree to adhere to the following rules and requirements: 1. I will arrive on time to all calls. If I have a conflict with the rehearsal schedule, I will make prior arrangements with the Stage Manager or Technical Director. Absences during tech and dress rehearsals, shows and strike are not permitted and may result in loss of credit for production. 2. I will be prepared and professional at all rehearsals and will bring my script, score, and a writing utensil to all acting or singing rehearsals. 3. I will respect my fellow performers and the staff. When using McCallum Arts Center and affiliated spaces, I will respect Theatre Department supervisors and staff. 4. I will leave the rehearsal space exactly as I found it. The cast is responsible for helping reset furniture and ensuring that doors are closed and locked. 5. I will not attend any rehearsals, performances, crew assignments under the influence of drugs or alcohol. 6. During build, load in, performances, and strike, I will respond quickly and efficiently to all requests made by the technical staff, designers, build crew, and run crew to ensure my own safety and the safety of others. 7. I will accept the costume and make-up designs for my character without complaint. If I do have an issue with my costume or makeup, I will discuss the matter privately with the Stage Manager. I will not change my hairstyle without prior approval from the Director, Stage Manager, or Costume Designer. 8. I grant MacTheatre the right to publish, in perpetuity, media containing my person, including photographs, videos, and audio recordings. I waive the right to inspect or approve versions of media containing my person when used for official MacTheatre publication or business. 9. By signing this contract I acknowledge that myself or my guardian are responsible for the replacement costs of rented scripts, scores, costumes, or props that are damaged or misplaced by myself during the production process. 10. If I take issue with another cast member or staff member, I will bring the issue to the Stage Manager or Director accordingly. 11. For the better of the production and to ensure the quality of my own experience, I will do my very best at all rehearsals, performances, and build hours. 12. Each family with a participating cast or crew member is expected to volunteer in some capacity for the show. Jobs include serving meals during tech week, promotion activities, and front-of-the-house activities like ticket sales, concessions, and DVD/T-shirt sales. We will communicate via google listserve with online signup opportunities. If you are not already a member, join by emailing mactheatreparents+subscribe@googlegroups.com or watch for an invitation from us to join. *
I understand that I must remain eligible for the production, this is an extra curricular activity and will plan ahead EARLY and/or make arrangements to catch up on other assignments as needed. *